真人玩偶  TheDoll

一部給低估了的傑作，鑑於前作被指離經叛道，劉別謙改拍童話式故事，拍出令德國人瞠目結舌的格調與清新幽默感，論者認為它比《卡里加里醫生的密室》更應名垂青史（兩片其實是雙生兒，只是主角一個作惡一個行善）。不肯成長的男孩被叔父強迫娶妻，玩具大王借女兒的模樣造出機械公仔，演出一幕騙婚記，但竟弄假成真。幕開只見我們的導演跑出來，用紙板砌出人與物，接着疊現真實畫面。戲演下去，所有場景透視詭異，道具有時索性繪在牆上。全片優美且自由奔放，活像頑童開心炮製的藝術品。值得一看的還有德國默片女星奧茜奧華黛的傳奇身影。　　　　ProceedingTheCabinetofDrCaligaribyoneyear,thisisbothvintageearlyLubitschwithitsslyslapstickandRabelaisianhumour,andtheonlyworkthatsharesthesubliminal,hallucinatorystyleofGermanexpressionism.Heexhibitsablindingarrayofcameraeffects,likeanastoundingshotofadozenimagesofmouthsinoneframe.AlsoaheadofhistimeisanopeningscenewithLubitschhimselfconstructingaminiaturestagecontraptionthatbecomesthefilmset.APirandelloesqueconceptofartandartificeinformstheHoffman-inspiredstoryaboutamanwhopurchasesalife-sizeddolltostandinforabride.Hegetsmorethanhebargainedfor-theowner'sdaughterpretendingtobedoll!　　　　Source:28thHKIFF